Exhibition Support – Page 12 – The Andy Warhol Foundation for the Visual Arts

Gilberto Esparza, Plantas autofotosinthéticas [Autophotosynthetic Plants], 2013–14 (detail). Polycarbonate, silicon, stainless steel, graphite, electronic circuits, local wastewater, natural pond water with microalgae and microorganisms, plants, shrimp, fish, sound, 157 × 157 in. Courtesy the artist. Photo: Axel Heise

Exhibition Support

Symbionts: Contemporary Artists and the Biosphere

List Visual Arts Center, MIT

Cambridge, MA

Dominique White and Alberta Whittle: Sargasso Sea, 2024. Installation view. Institute of Contemporary Art, University of Pennsylvania. Photo: Constance Mensh.

Exhibition Support

Dominique White and Alberta Whittle: Sargasso Sea

Institute of Contemporary Art, University of Pennsylvania

Philadelphia, PA

Nellie Mae Rowe, Untitled (Voting), 1970s. Color photograph, crayon, pencil, and colored pencil on cardboard, 20 x 30 1/8 inches. Promised gift of Lucinda W. Bunnen. © Estate of Nellie Mae Rowe/Artists Rights Society (ARS), New York. Photo by Mike Jensen.

Exhibition Support

Really Free! The Radical Art of Nellie Mae Rowe

High Museum of Art

Atlanta, GA

Joshua Dudley Greer, TNT Storage Igloo N6-B, Point Pleasant, West Virginia, 2012. Archival pigment print. Harvard Art Museums/Fogg Museum, Richard and Ronay Menschel Fund for the Acquisition of Photographs, 2019.345. © Joshua Dudley Greer; image courtesy of the artist.

Exhibition Support

Devour the Land: War and American Landscape Photography since 1970

Harvard Art Museums

Cambridge, MA

Diana Al-Hadid. The Time Being, 2022.
Steel, polymer gypsum, fiberglass, Plexiglas, copper leaf, and jasmine
Dimensions vary
Commissioned by FRONT International: Cleveland Triennial for Contemporary Art in partnership with the Syrian Cultural Garden Association Photo: ©FieldStudio
Artwork: ©Diana Al-Hadid

Exhibition Support

Oh, Gods of Dust and Rainbows

FRONT International

Cleveland, OH

Installation view, Gala Porras-Kim: The weight of a patina of time, 2023, Fowler Museum at UCLA; Photo: Elon Schoenholz

Exhibition Support

Gala Porras-Kim: The weight of a patina of time

Fowler Museum at UCLA

Los Angeles, CA

Judy Chicago, Immolation, from the series “Women and Smoke”, 1972. Fireworks performance; performed in California desert. Courtesy of the artist; Salon 94, New York; and Jessica Silverman, San Francisco. © Judy Chicago / Artists Rights Society (ARS), New York. Photograph courtesy of Through the Flower Archives Image provided courtesy of the Fine Arts Museums of San Francisco.

Exhibition Support

Judy Chicago: A Retrospective

Fine Arts Museums of San Francisco/de Young Museum

San Francisco, CA

Rosalie Smith, My Mother’s Last Garden (installation view), 2019. Photo by Ryan Hodgson Rigsbee.

Exhibition Support

Contemporary Arts Center

New Orleans, LA

Christina Fernandez, Starline Fashion, from the series “Manuela S-T-I-T-C-H-E-D,” 1996.
Courtesy of the artist and Gallery Luisotti, Los Angeles

Exhibition Support

Christina Fernandez: Multiple Exposures

California Museum of Photography at the University of California, Riverside

Riverside, CA

Sadie Barnette, FBI Drawings: AX to Handle, 2020. Powdered graphite on paper, 60 x 48 inches.

Exhibition Support

Sadie Barnette: Legacy & Legend

Benton Museum of Art at Pomona College

Claremont, CA

Fabian Guerrero, Jose in front of Laundromat, Lynwood, CA, 2017.
From the series Brown Queer Rancheros. Photograph, 16 x 20 in.
Collection of the artist, Los Angeles, CA, Courtesy American Federation of Arts.

Exhibition Support

Xican–a.o.x. Body

American Federation for the Arts

New York, NY

RaMell Ross (American, born 1982), Caspera, 2019, Inkjet print, mounted on dibond Virginia Museum of Fine Arts, National Endowment for the Arts Fund for American Art. MC2020.56 Image: © RaMell Ross

Exhibition Support

The Dirty South; Contemporary Art, Material Culture, and the Sonic Impulse

The Virginia Museum of Fine Arts

Richmond, VA