The Andy Warhol Foundation for the Visual Arts

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Exhibition Support

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  • 1987–2017
Diana Al-Hadid. The Time Being, 2022.
Steel, polymer gypsum, fiberglass, Plexiglas, copper leaf, and jasmine
Dimensions vary
Commissioned by FRONT International: Cleveland Triennial for Contemporary Art in partnership with the Syrian Cultural Garden Association Photo: ©FieldStudio
Artwork: ©Diana Al-Hadid
Exhibition Support

Oh, Gods of Dust and Rainbows
FRONT International
Cleveland, OH

Installation view, Gala Porras-Kim: The weight of a patina of time, 2023, Fowler Museum at UCLA; Photo: Elon Schoenholz
Exhibition Support

Gala Porras-Kim: The weight of a patina of time
Fowler Museum at UCLA
Los Angeles, CA

Judy Chicago, Immolation, from the series “Women and Smoke”, 1972. Fireworks performance; performed in California desert. Courtesy of the artist; Salon 94, New York; and Jessica Silverman, San Francisco. © Judy Chicago / Artists Rights Society (ARS), New York. Photograph courtesy of Through the Flower Archives Image provided courtesy of the Fine Arts Museums of San Francisco.
Exhibition Support

Judy Chicago: A Retrospective
Fine Arts Museums of San Francisco/de Young Museum
San Francisco, CA

 Rosalie Smith, My Mother’s Last Garden​ (installation view), 2019. Photo by Ryan Hodgson Rigsbee.
Exhibition Support

Contemporary Arts Center
New Orleans, LA

Christina Fernandez, Starline Fashion, from the series “Manuela S-T-I-T-C-H-E-D,” 1996.
Courtesy of the artist and Gallery Luisotti, Los Angeles
Exhibition Support

Christina Fernandez: Multiple Exposures
California Museum of Photography at the University of California, Riverside
Riverside, CA

Sadie Barnette, FBI Drawings: AX to Handle, 2020. Powdered graphite on paper, 60 x 48 inches.
Exhibition Support

Sadie Barnette: Legacy & Legend
Benton Museum of Art at Pomona College
Claremont, CA

Fabian Guerrero, Jose in front of Laundromat, Lynwood, CA, 2017.
From the series Brown Queer Rancheros. Photograph, 16 x 20 in. 
Collection of the artist, Los Angeles, CA, Courtesy American Federation of Arts.
Exhibition Support

Xican–a.o.x. Body
American Federation for the Arts
New York, NY

RaMell Ross (American, born 1982), Caspera, 2019, Inkjet print, mounted on dibond Virginia Museum of Fine Arts, National Endowment for the Arts Fund for American Art. MC2020.56 Image: © RaMell Ross
Exhibition Support

The Dirty South; Contemporary Art, Material Culture, and the Sonic Impulse
The Virginia Museum of Fine Arts
Richmond, VA

Exhibition Support

The University Art Museum at the University of Albany, State University of New York
University Art Museum, State University of New York - Albany
Albany, NY

Saya Woolfalk working on her upcoming solo exhibition at The Newark Museum of Art. Images courtesy of The Newark Museum of Art”
Exhibition Support

Saya Woolfalk
The Newark Museum of Art
Newark, NJ

Will Wilson (Diné)
Mexican Hat Disposal Cell, Navajo Nation (Connecting the Dots series)
2020  
Drone-based digital photograph, triptych
Ca.44 x 110 in. total
Collection of the artist
Exhibition Support

Exposure: Native Art and Political Ecology
Museum of Contemporary Native Arts
Santa Fe, NM

Andrea Bowers, No Olvidado – Not Forgotten, 2010. Courtesy of the artist and Vielmetter Los Angeles. Photo: Robert Wedemeyer
Exhibition Support

Andrea Bowers
Museum of Contemporary Art Chicago
Chicago, IL

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The Andy Warhol Foundation for the Visual Arts
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