The Andy Warhol Foundation for the Visual Arts

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Grantees

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  • 1987–2017
“Soundings: An Exhibition in Five Parts” Installation view at Kitchener-Waterloo Art Gallery, Kitchener, 2020. Photo by Robert McNair. Photo courtesy of KWAG and ICI.
Multi-year Program Support

Independent Curators International
New York, NY

Tabitha Nikolai
Multi-year Program Support

Oregon Contemporary
Portland, OR

Steve Parker, “If Only,” 2020
Wool, acrylic, cotton, hemp, chenille, and metallic fibers
80 x 102 inches
Multi-year Program Support

CUE Art Foundation
New York, NY

Installation view of “When You Can’t Find the Words,” 2020
Multi-year Program Support

CEPA Gallery
Buffalo, NY

Canyon Cinema logo
Multi-year Program Support

Canyon Cinema
San Francisco, CA

Multi-year Program Support

Blaffer Art Museum/ University of Houston
Houston, TX

Jury members are sworn in during “I Speak for the Trees: A Mock Trial,” an A Blade of Grass event that tested whether art copyright law could be used to legally halt construction of a natural gas pipeline, as proposed by A Blade of Grass Fellow Aviva Rahmani. Photo courtesy of RAVA Films.
Multi-year Program Support

A Blade of Grass
Brooklyn, NY

Renée Green (American, born 1959)
“Partially Buried Triptych (1970 at Large),” 1996
Photolithograph, lithograph, and chine collé
Collection Zimmerli Art Museum at Rutgers University
Gift of the Brodsky Center (formerly Gift of Rutgers Center for Innovative Print and Paper)
Courtesy of the artist and Free Agent Media
Photo Peter Jacobs
Exhibition Support

Angela Davis–Seize the Time
The Jane Voorhees Zimmerli Art Museum, Rutgers University
New Brunswick, NJ

Cara Romero (Chemehuevi), Evolvers, 2019. Archival pigment print.
Exhibition Support

Air
Utah Museum of Fine Arts
Salt Lake City, UT

SANGREE, “The Grand Design,” installation view, Yautepec, Mexico City, February 8–April 22, 2017. Image courtesy of the artists and Yautepec, Mexico City
Exhibition Support

No Humans Involved
UCLA Hammer Museum

Los Angeles, CA

Carlos Villa, Third Coat, 1977. Feathers and acrylic on canvas; Inside lining: Bone dolls and
acrylic on taffeta, 82 x 80 in. Collection of di Rosa Center for Contemporary Art.
Exhibition Support

Carlos Villa: Worlds in Collision
San Francisco Art Institute
San Francisco, CA

Cannupa Hanska Luger, still image from “Future Ancestral Technologies project,” video 
Exhibition Support

High Visibility: On Location in Rural American and Indian Country
Plains Art Museum
Fargo, ND

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The Andy Warhol Foundation for the Visual Arts
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