The Andy Warhol Foundation for the Visual Arts

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Exhibition Support

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  • 1987–2017
Basel Abbas and Ruanne Abou-Rahme, And yet my mask is powerful (Fragments 1-3), 2016 
3D mask, photographs, drawings, notes, dried vegetation, house remains, garbage Courtesy of the artists
Exhibition Support

History is Not Here: Art and Arab America
Mizna
St Paul, MN

Exhibition Support

Phenomenal Nature Mrinalani Mukerjee
Metropolitan Museum of Art
New York, NY

Angelo Madsen Minax, Live Nude Genitals, 2012. Neon and Plexiglas, 36 x 36 inches. Photo by Kristine Eudey, 2019, courtesy of Leslie-Lohman Museum, New York.
Exhibition Support

ON OUR BACKS: The Revolutionary Art of Queer Sex Work
Leslie-Lohman Museum of Art
New York, NY

Karyn Olivier, Wall, 2017–2018. Bricks, used clothing, steel. Courtesy of the artist.
Exhibition Support

Karyn Olivier: Everything That’s Alive Moves
Institute of Contemporary Art Philadelphia
Philadelphia, PA

Exhibition Support

Lenore Tawney: Mirror of the Universe
John Michael Kohler Arts Center
Sheboygan, WI

Trevor Paglen
The Took the Faces from the Accused and the Dead (detail)
2019
Silver gelatin print, pins 3240 individual images: 225 × 360 in. (571.50 × 914.40 cm) 
© Trevor Paglen, Courtesy of the Artist and Altman Siegel, San Francisco 
Image provided courtesy of the Fine Arts Museum of San Francisco
Exhibition Support

Uncanny Valley: Being Human in the Age of AI
Fine Arts Museums of San Francisco

San Francisco, CA

Fatimah Tuggar, Fai-Fain Gramophone, 2010
Record player, raffia disks with labels, music by Barmani Choge, entertainment center
53 x 32 1/2 x 24 in. (134.6 x 82.5 x 70 cm)
Artwork Credit: Courtesy of Fatimah Tuggar and BintaZarah Studios
Exhibition Support

Fatimah Tuggar: Home’s Horizons

Davis Museum at Wellesley College

Wellesley, MA

“Art and Race Matters: The Career of Robert Colescott” at the Contemporary Art Center Cincinnati.
Exhibition Support

Art and Race Matters: The Career of Robert Colescott
Contemporary Arts Center Cincinnati
Cincinnati, OH

Night of the Hunter, 1998
From the Thin Fins series
Ceramic, glaze, underglaze, china paint, and epoxy resin
4 × 5 ¼ × 2 in. (10.2 × 13.3 × 5.1 cm)
Collection of Richard E. Goldman
Exhibition Support

Ron Nagle: Handsome Drifter
Berkeley Art Museum/Pacific Film Archive
Berkeley, CA

Rachel Harrison, Duck’s Legs and Carrots , 2006. Wood, polystyrene,
cement, acrylic, and framed pigmented inkjet print, 61 x 48 x 48 inches
(154.9 x 121.9 x 121.9 cm). Private collection; courtesy the artist and
Greene Naftali, New York. Photograph by Tim
Nighswander/IMAGING4ART
Exhibition Support

Rachel Harrison Life Hack
Whitney Museum of American Art
New York, NY

Harriet Bart, Abracadabra Universe , 2007, gold leaf, vintage chemistry materials,
altered book, vinyl text, wood. Collection of the artist.
Exhibition Support

Harriet Bart: Abracadabra and Other Forms of Protection
Weisman Art Museum, University of Minnesota
Minneapolis, MN

Sara Sadik
MEKTOUB
2017
Aluminum and digital video installation
Exhibition Support

Waiting for Omar Gatlato: A Survey of Algerian Contemporary Art
The Miriam & Ira D. Wallach Art Gallery, Columbia University
New York, NY

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The Andy Warhol Foundation for the Visual Arts
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