Exhibition Support – Page 19 – The Andy Warhol Foundation for the Visual Arts

Basel Abbas and Ruanne Abou-Rahme, And yet my mask is powerful (Fragments 1-3), 2016
3D mask, photographs, drawings, notes, dried vegetation, house remains, garbage Courtesy of the artists

Exhibition Support

History is Not Here: Art and Arab America

Mizna

St Paul, MN

Exhibition Support

Phenomenal Nature Mrinalani Mukerjee

Metropolitan Museum of Art

New York, NY

Angelo Madsen Minax, Live Nude Genitals, 2012. Neon and Plexiglas, 36 x 36 inches. Photo by Kristine Eudey, 2019, courtesy of Leslie-Lohman Museum, New York.

Exhibition Support

ON OUR BACKS: The Revolutionary Art of Queer Sex Work

Leslie-Lohman Museum of Art

New York, NY

Karyn Olivier, Wall, 2017–2018. Bricks, used clothing, steel. Courtesy of the artist.

Exhibition Support

Karyn Olivier: Everything That’s Alive Moves

Institute of Contemporary Art Philadelphia

Philadelphia, PA

Exhibition Support

Lenore Tawney: Mirror of the Universe

John Michael Kohler Arts Center

Sheboygan, WI

Trevor Paglen The Took the Faces from the Accused and the Dead (detail) 2019 Silver gelatin print, pins 3240 individual images: 225 × 360 in. (571.50 × 914.40 cm)  © Trevor Paglen, Courtesy of the Artist and Altman Siegel, San Francisco  Image provided courtesy of the Fine Arts Museum of San Francisco

Exhibition Support

Uncanny Valley: Being Human in the Age of AI

Fine Arts Museums of San Francisco 

San Francisco, CA

Fatimah Tuggar, Fai-Fain Gramophone, 2010
Record player, raffia disks with labels, music by Barmani Choge, entertainment center
53 x 32 1/2 x 24 in. (134.6 x 82.5 x 70 cm)
Artwork Credit: Courtesy of Fatimah Tuggar and BintaZarah Studios

Exhibition Support

Fatimah Tuggar: Home’s Horizons 

Davis Museum at Wellesley College 

Wellesley, MA

“Art and Race Matters: The Career of Robert Colescott” at the Contemporary Art Center Cincinnati.

Exhibition Support

Art and Race Matters: The Career of Robert Colescott

Contemporary Arts Center Cincinnati

Cincinnati, OH

Night of the Hunter, 1998
From the Thin Fins series
Ceramic, glaze, underglaze, china paint, and epoxy resin
4 × 5 ¼ × 2 in. (10.2 × 13.3 × 5.1 cm)
Collection of Richard E. Goldman

Exhibition Support

Ron Nagle: Handsome Drifter

Berkeley Art Museum/Pacific Film Archive

Berkeley, CA

Rachel Harrison, Duck’s Legs and Carrots , 2006. Wood, polystyrene,
cement, acrylic, and framed pigmented inkjet print, 61 x 48 x 48 inches
(154.9 x 121.9 x 121.9 cm). Private collection; courtesy the artist and
Greene Naftali, New York. Photograph by Tim
Nighswander/IMAGING4ART

Exhibition Support

Rachel Harrison Life Hack

Whitney Museum of American Art

New York, NY

Harriet Bart, Abracadabra Universe , 2007, gold leaf, vintage chemistry materials,
altered book, vinyl text, wood. Collection of the artist.

Exhibition Support

Harriet Bart: Abracadabra and Other Forms of Protection

Weisman Art Museum, University of Minnesota

Minneapolis, MN

Sara Sadik
MEKTOUB
2017
Aluminum and digital video installation

Exhibition Support

Waiting for Omar Gatlato: A Survey of Algerian Contemporary Art

The Miriam & Ira D. Wallach Art Gallery, Columbia University

New York, NY