Exhibition Support – Page 9 – The Andy Warhol Foundation for the Visual Arts

Rose B. Simpson, The Four (installation views), 2021. Ceramic, jute, grout. Dimensions variable. Installation created for the Nevada Museum of Art. Courtesy of the artist and Jessica Silverman.

Exhibition Support

Rose B. Simpson: The Four

Nevada Museum of Art

Reno, NV

Jose Val del Omar, Óptica Biónica , 1974 – 1982. Installation view.

Exhibition Support

Cinema of Sensations: The Never-Ending Screen of Val del Omar

Museum of the Moving Image

Astoria, NY

Keisha Scarville, Untitled from the series Surrogate Skin, 2016. Archival inkjet print, 36 x 30 inches. Courtesy of the artist.

Exhibition Support

A Picture Gallery of the Soul

Katherine E. Nash Gallery, University of Minnesota

Minneapolis, MN

Henry Taylor, “Watch your back”, 2013. Acrylic on canvas, 87 1/2 x 77
1/2 x 2 in. Hammer Museum, Los Angeles,
purchase. Image and work ©Henry Taylor, courtesy the artist and Hauser
& Wirth. Photo by Sam Kahn.

Exhibition Support

Henry Taylor: B Side

Museum of Contemporary Art, Los Angeles

Los Angeles, CA

Courtesy The Metropolitan Museum of Art/ Photo by Anna-Marie Kellen. ©Charles Ray

Exhibition Support

Charles Ray: Figure Ground

The Metropolitan Museum of Art

New York, NY

Gilberto Esparza, Plantas autofotosinthéticas [Autophotosynthetic Plants], 2013–14 (detail). Polycarbonate, silicon, stainless steel, graphite, electronic circuits, local wastewater, natural pond water with microalgae and microorganisms, plants, shrimp, fish, sound, 157 × 157 in. Courtesy the artist. Photo: Axel Heise

Exhibition Support

Symbionts: Contemporary Artists and the Biosphere

List Visual Arts Center, MIT

Cambridge, MA

Dominique White and Alberta Whittle: Sargasso Sea, 2024. Installation view. Institute of Contemporary Art, University of Pennsylvania. Photo: Constance Mensh.

Exhibition Support

Dominique White and Alberta Whittle: Sargasso Sea

Institute of Contemporary Art, University of Pennsylvania

Philadelphia, PA

Nellie Mae Rowe, Untitled (Voting), 1970s. Color photograph, crayon, pencil, and colored pencil on cardboard, 20 x 30 1/8 inches. Promised gift of Lucinda W. Bunnen. © Estate of Nellie Mae Rowe/Artists Rights Society (ARS), New York. Photo by Mike Jensen.

Exhibition Support

Really Free! The Radical Art of Nellie Mae Rowe

High Museum of Art

Atlanta, GA

Joshua Dudley Greer, TNT Storage Igloo N6-B, Point Pleasant, West Virginia, 2012. Archival pigment print. Harvard Art Museums/Fogg Museum, Richard and Ronay Menschel Fund for the Acquisition of Photographs, 2019.345. © Joshua Dudley Greer; image courtesy of the artist.

Exhibition Support

Devour the Land: War and American Landscape Photography since 1970

Harvard Art Museums

Cambridge, MA

Diana Al-Hadid. The Time Being, 2022.
Steel, polymer gypsum, fiberglass, Plexiglas, copper leaf, and jasmine
Dimensions vary
Commissioned by FRONT International: Cleveland Triennial for Contemporary Art in partnership with the Syrian Cultural Garden Association Photo: ©FieldStudio
Artwork: ©Diana Al-Hadid

Exhibition Support

Oh, Gods of Dust and Rainbows

FRONT International

Cleveland, OH

Installation view, Gala Porras-Kim: The weight of a patina of time, 2023, Fowler Museum at UCLA; Photo: Elon Schoenholz

Exhibition Support

Gala Porras-Kim: The weight of a patina of time

Fowler Museum at UCLA

Los Angeles, CA

Judy Chicago, Immolation, from the series “Women and Smoke”, 1972. Fireworks performance; performed in California desert. Courtesy of the artist; Salon 94, New York; and Jessica Silverman, San Francisco. © Judy Chicago / Artists Rights Society (ARS), New York. Photograph courtesy of Through the Flower Archives Image provided courtesy of the Fine Arts Museums of San Francisco.

Exhibition Support

Judy Chicago: A Retrospective

Fine Arts Museums of San Francisco/de Young Museum

San Francisco, CA