Exhibition Support – Page 8 – The Andy Warhol Foundation for the Visual Arts

“Oh.Ah. ,” 2021, linen, steel, transparent vinyl, corrugated plastic, extruded polystyrene foam, acrylic polymer, acrylic and enamel paint, h61 x w45 x d4.5 in. Photo: Alan Wiener, Polite Photographic Services.

Exhibition Support

Listeners

Athenaeum/ University of Georgia Foundation

Athens, GA

Firelei Báez, Untitled (Temple of Time), 2020. Oil, acrylic, and inkjet on canvas. 94 1/2 × 132 3/8 × 1 5/8 inches. Courtesy the artist and Hauser & Wirth, New York. Photo by Phoebe d’Heurle. © Firelei Báez

Exhibition Support

Firelei Báez

Institute of Contemporary Art/Boston

Boston, MA

Xaviera Simmons, Align, 2022. Freestanding structure: wood, paint, and seven-channel video with sound Running time variable. Courtesy the artist and David Castillo Gallery. Photo: Hai Zhang.

Exhibition Support

Xaveria Simmons: Crisis Makes a Book Club

Queens Museum

Queens, NY

Installation image from Dara Birnbaum: Reaction, June 25 – November 27, 2022. Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY. Photo: Olympia Shannon, 2022.

Exhibition Support

Dara Birnbaum: Reaction

Center for Curatorial Studies, Hessel Museum of Art, Bard College

Annandale-on-Hudson

Gabriella Torres-Ferrer, Untitled (Valora tu mentira americana) (detail), 2018. Hurricane ravaged wooden electric post with statehood propaganda, 116 × 118 × 122 in. Private collection; courtesy the artist and Embajada, San Juan

Exhibition Support

no existe un mundo poshuracán: Puerto Rican Art in the Wake of Hurricane Maria

Whitney Museum of American Art

New York, NY

Pacita Abad in her Manila studio, 1984. Courtesy Pacita Abad Art Estate

Exhibition Support

Pacita Abad

The Walker Art Center

Minneapolis, MN

Amalia Mesa-Bains, Cihuateotl with Mirror in Private Landscapes and Public Territories, 1998-2011. Mixed media installation including painted and mirrored armoire, found objects, moss, dried flowers, faux topiaries, family photographs, miniature jeweled trees, painted wooden hedges; 180 in. diameter. Courtesy of the artist and Rena Bransten Gallery, San Francisco. Photo by Michael Karibian.

Exhibition Support

Amalia Mesa-Bains: Archaeology of Memory

Berkeley Art Museum/Pacific Film Archives

Berkeley, CA

Social Fabric: Art and Activism in Contemporary Brazil, installation view, Visual Arts Center, The University of Texas at Austin, September 23, 2022 – March 10, 2023. Photo: Sandy Carson.

Exhibition Support

Social Fabric: Art and Activism in Contemporary Brazil

Visual Arts Center, The University of Texas at Austin

Austin, TX

Roberto Lugo, Gun Teapot: Rosa Parks, 2021.
Glazed porcelain, steel, luster, epoxy, enamel. Image courtesy of the artist

Exhibition Support

Roberto Lugo: Street Shrines

The Wolfsonian, Florida International University

Miami Beach, FL

Juan Francisco Elso with his artwork Caballo contra colibrí, c. 1987-88. Fondo Magali Lara / Elso Padilla, Centro de Documentación Arkheia MUAC (UNAM-DiGAV)
Photo: Cristina Lobeira.

Exhibition Support

Juan Francisco Elso: Por América

El Museo del Barrio

New York, NY

David Hartt, The Garden (Passiflora foetida / Rome, Italy / May 17, 2022), 2022. Polyester, cotton, wool, and acrylic yarns, mounted to linen, wood stretcher, aluminum frame, 114 x 76 inches. © David Hartt, courtesy of the artist and Corbett vs. Dempsey, Chicago, commissioned by the Cincinnati Art Museum.

Exhibition Support

Natural World

Cincinnati Museum of Art

Cincinnati, OH

Kelly Akashi, Inheritance, 2021. Poston stone, cast lead crystal, heirloom (grandmother’s ring), 6 x 8 x 6 inches. Courtesy of the artist, François Ghebaly Gallery, and Tanya Bonakdar Gallery.

Exhibition Support

Kelly Akashi: Formations

San José Museum of Art

San José, CA