The Andy Warhol Foundation for the Visual Arts

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Exhibition Support

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  • 1987–2017
David Hartt, The Garden (Passiflora foetida / Rome, Italy / May 17, 2022), 2022. Polyester, cotton, wool, and acrylic yarns, mounted to linen, wood stretcher, aluminum frame, 114 x 76 inches. © David Hartt, courtesy of the artist and Corbett vs. Dempsey, Chicago, commissioned by the Cincinnati Art Museum.
Exhibition Support

Natural World
Cincinnati Museum of Art
Cincinnati, OH

Kelly Akashi, Inheritance, 2021. Poston stone, cast lead crystal, heirloom (grandmother’s ring), 6 x 8 x 6 inches. Courtesy of the artist, François Ghebaly Gallery, and Tanya Bonakdar Gallery.
Exhibition Support

Kelly Akashi: Formations
San José Museum of Art
San José, CA

Thu Van Tran, Installation view of Colors of Grey, 2022, in the 58th Carnegie International. Courtesy of the artist and Carnegie Museum of Art. Photo by Sean Eaton.
Exhibition Support

Is it morning for you yet?, the 58th Carnegie International
Carnegie Museum of Art
Pittsburgh, PA

Suchitra Mattai, an ocean’s cradle, 2022. vintage saris, fabric, and ghungroo bells, 10 x 15 feet.
Exhibition Support

Forecast Form: Art in the Caribbean Diaspora, 1990s – Today
Museum of Contemporary Art Chicago
Chicago, IL

Meryl McMaster, From a Still Unquiet Place from the series As Immense as the Sky, 2019. Chromogenic print mounted on aluminum composite panel, 40 x 60 inches (101.6 x 152.4 cm). Courtesy of the artist and Stephen Bulger Gallery and Pierre-François Ouellette art contemporain. © Meryl McMaster.
Exhibition Support

Spirit in the Land
Nasher Museum of Art at Duke University
Durham, NC

Tropical Is Political: Caribbean Art Under the Visitor Economy Regime, installation view at the Americas Society. Photo by Arturo Sánchez.
Exhibition Support

Tropical Is Political: Caribbean Art Under the Visitor Economy Regime
Americas Society
New York, NY

Hajra Waheed
Hum, 2020 
Multi-channel sound installation with custom speaker casings
36 minutes, 17 seconds. Installation view, Portikus, Frakfurt, Germany. Courtesy the artist. Photo: Diana Pfammatter.
Exhibition Support

Hajra Waheed
Contemporary Art Museum St. Louis
St. Louis, MO

The Transfluent Orchestra / Mobile Coaction Lab by Gene A. Felice II, Owen Smith, + Susan
Smith, {Re}HAPPENING 9, March 30, 2019. Photo by Michael Oppenheim.
Exhibition Support, Multi-year Program Support

Black Mountain College Museum + Arts Center
Ashville, NC

María Martínez-Caña, Absence Revealed, 2022. Installation view. Courtesy of The Bass. Photo by Zaire Aranguren
Exhibition Support

The Bass
Miami Beach, FL

Faisal Abdu’Allah, The Duppy Conqueror (triptych), 2017. Jacquard tapestries,
117 x 60 inches, each. Courtesy of the artist.
Exhibition Support

Faisal Abdu’Allah: Dark Matter
Madison Museum of Contemporary Art
Madison, WI

Peter Clarke, That Evening Sun Goes Down, 1960. Gouache on paper, 21 ½ x 17 in. Courtesy of American Federation of Arts.
Exhibition Support

African Modernism in America, 1947 – 1967
Fisk University Galleries
Nashville, TN

Sergio Baroni, Huge D’Acosta, and Vittorio Garatti, the Cuba Pavilion at the 1967 International and Universal Exposition (Expo 67), Montréal, Canada, 1967. Collection Archives de la Ville de Montréal, VM94. Photo: Armour Landry
Exhibition Support

A Modernist Regime: The Cuban Contemporary Lens
Cranbrook Art Museum
Bloomfield Hills, MI

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The Andy Warhol Foundation for the Visual Arts
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